How do you make a musical out of the events of September 11, 2001?
That is probably the question most people ask when they first hear about Come From Away. Yet somehow, the creators have managed to take one of the darkest days in modern history and create a show that is funny, uplifting, moving, and ultimately hopeful.
Based on a true story, Come From Away tells the story of the nearly 7,000 airline passengers who found themselves unexpectedly stranded in Gander, Newfoundland, when North American airspace was shut down on September 11, 2001. More importantly, it tells the story of the people of Gander who welcomed them into their community, opening their homes, schools, churches, and hearts to complete strangers.
The message of this show feels particularly important right now. As director Ashlie Corcoran notes, “Come From Away is a celebration of the human spirit with its message of hope and compassion.” At a time when it can sometimes feel like there is more division than connection in the world, this production reminds us what people are capable of when they choose kindness.
One of the most impressive aspects of the production is that the entire story is told by a cast of only 12 actors. Over the course of an hour and forty minutes, without an intermission, they portray both the stranded passengers and the Newfoundlanders who care for them. Assisted by clever lighting and simple but effective staging, the actors move seamlessly between multiple roles. It is a remarkable feat, and one that never feels confusing for the audience.
The entire company is excellent, but a few performances particularly stood out. Jocelyn Gauthier as Beverley Bass and Annette, Kamyar Pazandeh as Kevin J. and Ali, and Charlie Gallant as Oz and others each created distinctly different characters every time they stepped into a new role. Even without major costume changes, you always knew exactly who they were playing.
The staging feels fresh, creative, and inventive throughout. Gianna Vacirca’s choreography deserves special mention for how effectively it conveys the many emotions that accompany the story. At times the movement captures the chaos and uncertainty of the situation, while at others it reflects the warmth, humour, and joy that emerge as the people of Gander and their unexpected guests get to know one another.
The standout number for me was “Prayer.” Bringing together people from different faith traditions, it beautifully captures the show’s central message that our common humanity matters more than our differences. Equally memorable were “In the Bar/Heave Away” and “Screech In,” which perfectly showcase the joyfulness, hospitality, and sense of community that Newfoundland is known for.
What continues to amaze me about Come From Away is its balance. If you are wondering how a musical could possibly be made from this story, the answer is that every moment is handled with exactly the right amount of humour and sorrow. The show never loses sight of the tragedy that brought these people together, but it also celebrates the extraordinary kindness that emerged from it.
The cast remains on stage for the entire hour and forty minutes, and somehow the energy never drops. The music is engaging, the performances are strong, and the storytelling is compelling from beginning to end.
It is not surprising that Vancouver audiences have embraced the production. Originally scheduled to close on July 26, the Arts Club has already extended the run through August 16 due to overwhelming demand. This production is also one of the first non-replica versions of the beloved Broadway hit, making it feel both familiar and refreshingly new.
At its heart, Come From Away is a reminder that even in the darkest moments, people are capable of extraordinary generosity. The light shown by the people of Gander more than twenty years ago continues to resonate today. It is a story that leaves audiences hopeful, and that is something worth celebrating.
Come From Away runs from May 28 to August 16 at the Stanley BFL CANADA Stage.
